A day with RAW at AKTI

What's in every reel

• The voice-over. Your picks from the voice check: take B on lines 1–5 and 8–13, take A on 6 (the nose challenge) and 7 (the dribble). Captions follow what she says in B: 'قبل ما أي حاجة ابتدت', 'وجبنا معانا RAW', 'racket, a towel, or a flask', 'وده غيّر كل حاجة في الـ chips', 'Thank you لـ RAW'. Pauses and breaths out, your overlay join, every word end checked.
• The picture. Loujy first (holding the pack up, her name), then the day: the walkway still empty, the new packs, handing them out, Loujy tasting, Loujy explaining the game, the nose challenge, the dribble, each prize as it's named, a whole group balancing, Dixie Mills, the crowd — and Loujy again on 'شكراً RAW'. 25 shots instead of 37.
• On screen. Her name card, three of Seif's titles (AKTI BY ZAHRA · NORTH COAST / ALL NEW PACKAGING / BALANCE THE PACK · 10 SECONDS), the RAW × Dixie Mills logos with their two sauces, captions in your locked style. I dropped '4 FLAVOURS' and 'THE PRIZES' and the RAW logo on 'with us RAW' to calm it down.
• The grade. New: the FX30 now uses the same S-Log3 conversion Premiere does (go 2 was turning skin orange under the pink lights), a touch of contrast; your iPhone clips cooled slightly and 18 % less saturated so the two cameras match.
• The ending. Your §17 ending: the music comes up, quick shots of the day on the beat, RAW's wordmark, then a white card with the RAW mark and 'ALL NEW PACKAGING'. No Alan Productions card (it's RAW's film).
• Music. Brenton Wood – 'Baby You Got It' (karaoke version, no vocals) from your COMMERCIAL folder: muffled under Loujy, open on the outro, its kit coming back in on the outro's first frame.

1 · A day with RAW at AKTI

47 s · v7 — clean prize renders

What changed

• v7 The prizes are clean product renders now (no more cut-outs): the RAW football, the purple paddle with its pink cord, the chevron towel and the zig-zag flask, made with AI from your own frames so the real designs and logos stay. The same ball on 'with RAW on it'.
• v6 The 4 options from the plan: 2 · the real AKTI by Zahra logo on «AKTI» · 4 · the RAW mark on «وجبنا معانا RAW» · 9 · the RAW football on «with RAW on it» · 13 · the sum on «وده غيّر كل حاجة في الـ chips»: sauce + pack, right to left like the chips video.
• v5 The prizes pop on their words · nine happy faces on the beat in the outro · a real laugh on «الضحك».
• v4 Loujy's real smile first · the girls tasting · packs, collab, RAW mark.
• v3 Your voice picks.
• v2 Loujy first · calmer cut · the new grade.

Say it, see it, line by line (the plan page has every line): the packs on 'all the flavors', each prize on its word over the winners, RAW × Dixie Mills on the collab, a real laugh on 'الضحك', the RAW mark on the last line, then nine happy faces on the beat.

Your calls

• The visuals plan. Every line with its frame and what pops up: raw-akti-recap.alanproductions.com/plan — all built now. Change anything by its number.
• Her name card. It says 'Loujy · RAW'. Tell me her full name / title if you want it different, or none at all.
• The packs. RAW has no clean pack renders on the drives, so I cut the four packs out of their new ad images (on the Mac, no credits). The Dixie sauce bottles still aren't in any clip (the tasting was from the trays), so they stay as pop-ups.
• Music options. If Brenton Wood is too retro for RAW: Overmono – 'Bby' (instrumental, 129 bpm, more club) is measured and ready as a one-minute swap. Say 'option 2'.
• Length. Seif's script planned 65 s; with the pauses out the read is 39 s + a 7 s outro = 45 s.
• Your transitions + cool shots. Ready when you are — tell me where.