RAW × AKTI by Zahra · recap film · 5 Oct
A day with RAW at AKTI
The visuals plan, line by line: open it — every line with its frame, what pops up, and the options I haven't built.
Seif's script, read by Loujy, over the day. v5 = your notes on v4: the prizes pop up as she names them, and the outro is nine happy people on the beat. The line-by-line visuals plan is at /plan. Nothing is sent to RAW and nothing is posted.
What's in every reel
- The voice-over. Your picks from the voice check: take B on lines 1–5 and 8–13, take A on 6 (the nose challenge) and 7 (the dribble). Captions follow what she says in B: 'قبل ما أي حاجة ابتدت', 'وجبنا معانا RAW', 'racket, a towel, or a flask', 'وده غيّر كل حاجة في الـ chips', 'Thank you لـ RAW'. Pauses and breaths out, your overlay join, every word end checked.
- The picture. Loujy first (holding the pack up, her name), then the day: the walkway still empty, the new packs, handing them out, Loujy tasting, Loujy explaining the game, the nose challenge, the dribble, each prize as it's named, a whole group balancing, Dixie Mills, the crowd — and Loujy again on 'شكراً RAW'. 25 shots instead of 37.
- On screen. Her name card, three of Seif's titles (AKTI BY ZAHRA · NORTH COAST / ALL NEW PACKAGING / BALANCE THE PACK · 10 SECONDS), the RAW × Dixie Mills logos with their two sauces, captions in your locked style. I dropped '4 FLAVOURS' and 'THE PRIZES' and the RAW logo on 'with us RAW' to calm it down.
- The grade. New: the FX30 now uses the same S-Log3 conversion Premiere does (go 2 was turning skin orange under the pink lights), a touch of contrast; your iPhone clips cooled slightly and 18 % less saturated so the two cameras match.
- The ending. Your §17 ending: the music comes up, quick shots of the day on the beat, RAW's wordmark, then a white card with the RAW mark and 'ALL NEW PACKAGING'. No Alan Productions card (it's RAW's film).
- Music. Brenton Wood – 'Baby You Got It' (karaoke version, no vocals) from your COMMERCIAL folder: muffled under Loujy, open on the outro, its kit coming back in on the outro's first frame.
1 · A day with RAW at AKTI
What changed
- v5 Prizes: the RAW football, the paddle, the towel and the flask pop on their words (21.9 / 22.5 / 23.2 / 24.1), cut out of your own footage, above the women holding theirs (one shot instead of four quick ones). · Outro: nine happy people, one per beat (chip grin, the laughing lady, thumbs up, a smile, the racket, the flask, the curly guy, the mum and her toddler, the pack hug), then the wordmark and the white card — 47 s now. · 'الضحك': a real laugh (the pack falls off his face) before her reaction.
- v4 Loujy's real smile first · the girls tasting · packs, collab, RAW mark pop-ups.
- v3 Your voice picks.
- v2 Loujy first · calmer cut · the new grade.
Say it, see it, line by line (the plan page has every line): the packs on 'all the flavors', each prize on its word over the winners, RAW × Dixie Mills on the collab, a real laugh on 'الضحك', the RAW mark on the last line, then nine happy faces on the beat.
Your calls
- The visuals plan. Every line with its frame and what pops up: raw-akti-recap.alanproductions.com/plan — the orange ones are options I haven't built. Send the numbers you want.
- Her name card. It says 'Loujy · RAW'. Tell me her full name / title if you want it different, or none at all.
- The packs. RAW has no clean pack renders on the drives, so I cut the four packs out of their new ad images (on the Mac, no credits). The Dixie sauce bottles still aren't in any clip (the tasting was from the trays), so they stay as pop-ups.
- Music options. If Brenton Wood is too retro for RAW: Overmono – 'Bby' (instrumental, 129 bpm, more club) is measured and ready as a one-minute swap. Say 'option 2'.
- Length. Seif's script planned 65 s; with the pauses out the read is 39 s + a 7 s outro = 45 s.
- Your transitions + cool shots. Ready when you are — tell me where.
